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Tymur Levitin
Tymur Levitin
Profesora del Departamento de Traducción. Traductor jurado profesional con experiencia en traducción y enseñanza de inglés y alemán. Imparto clases en 20 países del mundo. Mi principio en la enseñanza y la realización de clases es alejarse de la memorización de reglas de memoria, y, en cambio, aprender a entender los principios de la lengua y utilizarlos de la misma manera que hablar y pronunciar correctamente los sonidos por el sentimiento, y no repasar cada uno en su cabeza todas las reglas, ya que no habrá tiempo para eso en el habla real. Siempre hay que basarse en la situación y la comodidad.
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A Comparison of Silent Love in Russian and Arab Male Expression

Author’s column by Tymur Levitin — founder, director, and lead teacher of Escuela de idiomas Levitin / Start Language School by Tymur Levitin
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Two Men, Two Cultures — One Feeling

Can love exist without words? Can silence be louder than confessions?

In both Russian and Arabic music, we find men who love deeply but speak sparingly. This is not due to a lack of feeling — but perhaps due to how emotions are processed and expressed in their respective cultures.

Let’s compare two powerful examples:
– a heartfelt Russian ballad by Zheka (Evgeniy Grigoriev),
– and the Arab hit “Ya Habibi” por Mohamed Ramadan y Gims.

“I Love You, But You’ll Just Feel It”

Zheka’s song “When Words Are No Longer Needed” (Когда уже не нужно лишних слов) does not explain, persuade, or dramatize. It simply stops at the edge of speech, where words are no longer useful. The Russian man here expresses affection not through phrases — but through absence of them.

There is pain, there is love, but there are no lengthy declarations. Instead, there’s withdrawal, a final message in silence, a quiet goodbye.

The title alone says enough.

“Habibi” — And Nothing More?

In “Ya Habibi”, the Arabic phrase “my love” becomes an echo — repeated like a heartbeat, not fully unpacked, but deeply felt.

The Arab man in the song does not explain, justify, or analyze. He burns with passion, sings with rhythm and pain — but keeps it at surface level. Emotion here is sound, not sentence.

In both songs, we see men who feel too much to say too much.

Why It Matters in Language Learning

Language is not just grammar and vocabulary. It’s emotion in context.

Through music, we see how men in different cultures express — or avoid expressing — vulnerability.
We learn:

– what’s said,
– what’s left unsaid,
– and what’s meant through silence.

This is essential to language fluency. It’s not enough to speak — we must also understand why someone else might choose not to.

Cultural Layers and Male Identity

Both songs reflect societies where masculine identity values control, restraint, and stoic loyalty.
These aren’t “pop romance” stories — they are portraits of quiet strength.

And that’s what makes them useful for students:
– To understand tone,
– To hear emotion behind language,
– To connect meaning beyond the words.

Because in real life — and in real love — we often don’t say what we feel. But that doesn’t mean we don’t feel it.

Explore more in the same series:
She Knows, but He Won’t Say: How Men Express Emotion Differently in East and West
The First Words We Learn in a Foreign Language — and Why They Matter
Tense Shift in Translation — Why Time Always Matters

📌 Blog category: Author’s Column — Tymur Levitin on Language, Meaning & Respect
© Tymur Levitin — Founder, Director and Lead Teacher at Levitin Language School
Slogan: Habla con libertad. Aprende con inteligencia.

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